What can Adorno & Walter Benjamin Teach us About NFTs & Art
Adam Geczy Adam Geczy

What can Adorno & Walter Benjamin Teach us About NFTs & Art

NFTs—non-fungible tokens—promise a new way to own art and are yet another step in the already troubled debate about what we call original and what we call a copy… But in the age of memes and digital reproduction, should we even try to salvage the idea of the original? And then there’s the other old chestnut of art’s commodity status. We'll discuss these ideas alongside two twentieth-century philosophers: Walter Benjamin and Theodor Adorno.

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Monet and the Impressionists
Adam Geczy Adam Geczy

Monet and the Impressionists

Monet and his circle of Impressionist artists are perhaps the most loved group of artists of any time, spanning many nationalities, not limited to Western taste.

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What is the Relevance of Fashion?
Adam Geczy Adam Geczy

What is the Relevance of Fashion?

Fashion continues to have an ambivalent role in the public consciousness: it can be seen as frivolous and a vehicle for the rich and glamorous to flaunt what they have.

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What’s the Fuss about Hyperreal Sculpture?
Adam Geczy Adam Geczy

What’s the Fuss about Hyperreal Sculpture?

Hyperreal sculpture is striking stuff, and it is hard not to find anyone who does not find it compelling and fascinating if only for the simulation of life and the sheer skill and effort devoted to it.

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Beginnings of the Avant-Garde?
Adam Geczy Adam Geczy

Beginnings of the Avant-Garde?

'Avant-garde' is a term that is applied to modern art and artists who were ahead of their time and who pushed the boundaries of content, taste, and style.

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Two Great Revolutions in Painting
Adam Geczy Adam Geczy

Two Great Revolutions in Painting

The organization of space within painting has undergone revolutionary developments: the first is with one-point perspective in the Renaissance, the second is with Cubism.

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Museums: Beginning and Evolution
Adam Geczy Adam Geczy

Museums: Beginning and Evolution

Museums are something we take for granted when we want to view art, yet they have only really been with us since the end of the eighteenth-century.

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The Origins of Art Criticism
Adam Geczy Adam Geczy

The Origins of Art Criticism

We tend to take art criticism and art critics for granted, as if they were as old as time itself. But it may surprise that art criticism is a relatively recent phenomenon.

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